Archive for September, 2009

Frank Turner – ‘Poetry of the Deed’

Posted in Music Reviews on 2009/09/08 by sturgeonmusic


“Life is too short, to live without poetry. If you’ve got soul darling now come on and show me!”

There’s no doubt that right now, Frank Turner is my favorite song writer by far. I was lucky enough to meet him in early 2008, at a gig in his hometown of Winchester. Not only was it the most memorable and energized show I have ever been to, but he is also an incredibly humble guy. After signing a poster for me and my friends, he sat and had a drink with us and explained his day of constant traveling.

Its always a great thing to see when an up-coming artists interacts with his fans, and this is something Frank excels in. If you join his group on Facebook, you receive a flurry of email updates that essentially tell you his every move. The media spotlight is now shining on him with his latest release, especially after much pre-release radio coverage.

The new record is certainly different to his previous album, however a lot of elements remain the same – just more evolved. Franks sound is more focused on his band this time around, however still features 3 solo acoustic tracks as a bonus. In terms of genre, its still based around many folk and rock influences, whilst his lyrics remain as artistic as ever. Issues such as middle age, growing old, friendships, the media and family values are just some covered in the 17 tracks. There’s a sense that he is an artist that is constantly growing, and producing these new fresh sounds.

Overall, for fans of Frank you will not be disappointed. And whilst the album sounds different to his past efforts, it remains a truly rewarding purchase. For those that haven’t heard his music before, its a great way to start as well – its full of emotion, political topics and a sense of anarchy – all the things that have made him so popular.

Billy Bragg for the Facebook age? I’d say so.

Overall rating – 8/10


‘Creating New Sounds’ – Jared Followill

Posted in Features on 2009/09/03 by sturgeonmusic



There has been a decline in the past few years in the ‘melodic’ bass line. The type of groove that will not only make you dance, but is also the most memorable section of the song, and supports the vocals. Indeed there are thousands of amazing bass players within the industry today, however when discussing the mainstream there are only a handful that attempt to make the bass something more than ‘just a root note’ instrument.

By far one of the best of the bunch is Jared Followill, Kings of Leon’s youngest member. His playing is somewhat key to their sound, especially with their last two albums. Jared employs a different tone to most other indie bass players and seems to be fluent with both pick and finger styles. Additionally he also uses a wide arrangement of pedals to create different sounds. But anyway, enough of my bass playing techniques, lets look at some of his lines!

(Only By The Night)

Many people would not know that the synth, octave jumping sound featured in ‘Closer’ was created by Jareds bass. Its true though, he uses an octave pedal and delay effects to achieve this sound, something many people would just create with a keyboard. This type of thinking out the box is certainly impressive to watch, as Jared is capable of playing the keys himself.

‘Revelry’ also features some amazing bass playing from Jared, whilst at the same time not being over the top flamboyence. The bass line underneath the chorus is reminiscent of many of Paul Mcartney’s, where the instrument follows the vocal harmonies to create a melodic sound. The verses also feature the use of octaves again from Jared, however with more delayed effects making them sound spacey and atmospheric.

The last two tracks on the album, ‘Be Somebody’ and ‘Cold Desert’ are also very unique. Whilst Be Somebody features simple chord changes in the verses, during the chorus’s Jared is playing a completely seperate melody to the rest of the band, however with harmonies being employed. Cold Desert is primarily a bass song, with most of the track featuring Jared playing minor style melodies and holding the root note of D.

I could go on with this musical bable, though it is safe to say with this evidence that Jared is making the bass popular again within the mainstream market. Being experimental with your instrument and general sound is a risky business, however when presented in a such a clear and precise way it can only enhance your music. Check out these songs above for yourself, and you can hear the influence his bass playing has on the songs. Sure he could have just played the root notes with no fills, but wheres the excitement in that?

We salute you Jared!